Wednesday, 03 August 2011
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Cowboys & Aliens Review + New Trailer!
Fusing disparate genres is always a tricky business. When it’s done reasonably well, it can produce a fun fantasy-western hybrid on the order of “The Valley of Gwangi” or “Back to the Future III.” When it’s done poorly, look out! You get something like Barry Sonnenfeld’s “Wild Wild West” or, worse, “Billy the Kid vs. Dracula.”
The problem with this mix-and-match approach is that it usually winds up pissing off fans of both genres, who wouldn’t under normal circumstances share an armrest, much less a beer at the local saloon.
It was pretty obvious from the trailers for Jon Favreau’s “Cowboys & Aliens” that we were in for a bumpy ride. The Ron Howard-Steven Spielberg production, loosely adapted from a graphic novel, stars the typically stoic Daniel Craig as a ray gun tottin’ outlaw and the typically crusty Harrison Ford as Col. Woodrow Dolarhyde, a pushy rancher-paterfamilias with whiny, troublemaker son. The only question was: How bumpy a ride would it be?
Answer: It’s not as bad as “Billy the Kid vs. Dracula” ‒ nothing could be ‒ but it’s still in the neither/nor realm of the big screen “Wild Wild West.” In other words, it’s a desperate-to-please amalgam that combines the hoariest clichés of both the western and science fiction thriller. Among the scores of films plundered are “Rio Bravo,” “Shane,” “Once Upon a Time in the West,” “Butch Cassidy and the Sundance Kid,” “The Big Country,” “Valley of Gwangi,” “King Kong,” “Close Encounters of the Third Kind” and “War of the Worlds.”
Oh, yes, and there are storefront Indians, too. Tossed into the already cluttered mix, they get to whoop and holler a lot and eventually sacrifice themselves to the white man’s cause. They’re the real aliens of the title.
As I said, a patch-quilt affair. (A joke might be appropriate here: How many screenwriters does it take to screw in a light bulb? I don’t know, but it takes five to adapt a comic book called “Cowboys and Aliens.”)
The best thing about this expensive pastiche: It doesn’t stint on the CG invaders; they’re a pretty formidable lot and, for a change, are viewed in the full glare of the sun.
We open with a slow pan of prairie and the hollow twang of spaghetti Western guitars. A lone hombre (Daniel) left for dead sticks his head into the frame. He has no name or memory, only a gash in his side and, on his left wrist, some newfangled bracelet. He also has a way with his fists and six-shooter, which he ably displays in early face-offs with scalp-hunters and the colonel’s sniveling, no-account son (a wasted Paul Dano of “There Will be Blood”). All this head-bashing brings him to the attention of the mining town’s sheriff (Keith Carradine, also wasted) and the omnipresent Ella (Olivia Wilde), whose schoolmarm attire is offset by low-slung holster and Stetson. Sheriff and Ella know the stranger as Jake Lonergan, a fearsome desperado wanted for robbery and murder.
Before they can take him to trial, alien gunships swoop down and incinerate half the town. Why are they here? And why are they plucking people off the street with high-tech lassos? “The machines took our kin,” sobs one of the stock players, which include a philosophical preacher (Clancy Brown) and a cowardly saloon owner (Sam Rockwell) who, of course, will win his spurs on the trail.The resultant rescue mission ‒ which has Jake and Dolarhyde heading a posse that includes Cherokee warriors and Jake’s old gang members ‒ is about what you’d expect, and less. There are moments of selfless sacrifice, moments of nauseating sentimentality, and an alien encounter in an upside-down riverboat that will remind you of the abandoned-house encounter both versions of “War of the Worlds.” The action sequences range from “They went that-a-way” humdrum to, when wooden spears prove the equal of alien blasters, downright idiotic. De rigueur in these days of superhero high-jinks, Jake even hops one of the dragonfly-shaped warships. “Hang on!” he instructs Ella as he blasts the thing from the sky. Will a nearby lake break their fall? You’ve obviously scanned the script.
You have to feel sorry for actors dry-gulched into delivering lines like “Boys, grab your guns ‒ we’re riding out!” and, during a lull in the big battle, a tearful “I always dreamed of having a son like you.” Favreau and company certainly aimed low in search of inspiration; their characters and dialogue are straight out of those “Apple Dumpling Gang” comedies with Don Knotts and Tim Conway. Because he hasn’t much to say and strides through the action like something carved from granite, Craig survives with reputation intact. Ford, however, attempts to parody his long line of humorless heroes by flashing his signature pained smile. It served him in the Indy Jones movies, but this time it comes off as, well, just plain painful.
Talk about a movie leaving a foul taste. The midair explosion of the aliens’ escaping rocket appears to have been copied, verbatim, from launch-pad footage of the Space Shuttle Challenger disaster. -
Cowboys & Aliens 2011 Movie Trailer
"Cowboys and Aliens" isn't a flawless film and doesn't do anything in particular to set the world of cinema on fire, but every now and then a film come around with the soul purpose of being an exciting, accessible chunk of old-fashioned Hollywood entertainment and COMPLETELY succeeds. This is that film. I had a great time with this one, and the cast and direction are rock solid. I liked the Western aspect more than the routine Sci-fi side of things, but as a whole everything came together nicely. Prime summer entertainment that I can easily recommend for what it is... FUN.
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Cowboys & Aliens Movie Review
I'll admit that Cowboys and Aliens might have some issues here and there, but I thought it was a lot of fun. This showcases some of the best elements from classic westerns like The Searchers and Rio Bravo, while also having some new things to say. The idea of blending a western with sci-fi has been attempted before with the instant classic known as Wild Wild West, but ultimately doesn't blow over well with audiences and critics alike. I feel like this is basically the same situations. For those who do get it and enjoy the style, it will be a great movie full of great action and genre taboos. Stepping up the game with aliens actually works a lot in my opinion, unlike the lame comic this is based on. Somehow it just works due to the way the story is written and executed. John Favreau did a great job in my opinion at making this look great and have the feeling of a classy action movie and not a cheesy b-movie. Then there's the unstoppable brute force known as Daniel Craig that gives intensity a new meaning. I'm a huge fan of him and this highlights all of his main qualities as an actor. It's also nice to see Harrison Ford in anything really, but his character was completely priceless and unique in terms of the types of people he usually plays. The two together feel like a team up of Clint Eastwood and John Wayne battling bloodthirsty aliens. However, there's no getting around the goddess Olivia Wilde who enters each frame with unparalleled hotness. This also has a great supporting cast that includes The Kurgen and a Windtalker.Overall, this movie is as fun as you allow it to be. If you don't just accept the reality of the movie, you will be a cynic throughout. The intent was not to show why Aliens could have existed in the west, but to show an action-fueled adventure with an incredibly unique feeling. I think people are taking stabs at this for basically no reason. Maybe it's a little outlandish, but that shouldn't distract you from having a good time. The movie doesn't constantly make you aware of the reality, it's easy to lose yourself in the beautiful visuals, fun characters and storytelling. I also like that Cowboys and Aliens doesn't take itself as a joke or some kind of spoof, it really plants itself within a very realistic and serious setting. Most film-makers would've tried to make light of the situation and to me that's a cop out. Jon Favreau is just fine with having a fantastical story and going with it. To me, it worked well in this case and I think this is a really great movie because of that.
